Director Ciera Eis keeps the action moving and ensures the characters are involved, resisting the drag that can occur with some productions of Bakers works. just like with how THE ALIENS seems like a precursor to THE FLICK, this definitely feels like a sadder precursor to THE ANTIPODES but with a clearer setting and a grounding in realism that seems similar to THE ALIENS. To Teach and to Mentor: Toward Our Collective Future (2013), Feeling Womens Culture: Womens Music, Lesbian Feminism, and the Impact of Emotional Memory (2012), Performing Jewishness In and Out of the Classroom (2012), Casual Racism and Stuttering Failures: An Ethics for Classroom Engagement (2012), On Publics: A Feminist Constellation of Keywords (2011), Colleague-Criticism: Performance, Writing, and Queer Collegiality (2009), Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein (2008), Teaching and Mentoring, for Grad Students and New Faculty, What Makes a Jewish Theatre Artist (2013), Performing Que(e)ries Part IV: Holly Hughes in conversation with Jill Dolan (2013), Feminism, Utopia, and Performance: The Progressives Corner (2012), Feminist Performance Festival Roundtable (2011), For Your Viewing Pleasure: Gender, Sexuality, and Popular Culture. [2] Directed by Sam Gold, the cast featured Reed Birney (Schultz), Tracee Chimo (Lauren), Peter Friedman (James), Deirdre O'Connell (Marty) and Heidi Schreck (Theresa). Martys husband, James, tries hard to be supportive of his flaky artistic wife. Telling personal stories borrowed from their partners in a first-person form provides a rather sweet, halting demonstration of how the students get to know one another. Custom Made Theatre. The thing about theatre is that you're supposed to see it live. In the small town of Shirley, Vermont, five strangers gather in a dance studio to embark on a unique journey together in a creative drama class for adults. His need is palpable, even before clueless Marty makes the unsuccessful couple act out a scene in which his need becomes his only dialogue. Um. Share. Once you pick up this play, you will truly undergo a transformation. Circle Mirror Transformation is the right play at the right time. Circle Mirror Transformation. One of the tenets of our theater classroom here at Pomona College is taking the collective breath together, said Mark Diaz PO 22, who stars as a divorced carpenter in the upcoming production of Circle Mirror Transformation. Were all breathing the same air, and were all in the same space its a really incredible feeling.. Directed by Sam Gold. Shes just broken up with her boyfriend, an older man who controlled her jealously, a rather masochistic involvement that Theresa seems to have enjoyed more than shes willing to admit. Exercise equipment clutters the floor, alongside the detritus of other objects useful for other kinds of groups. During a break we meet Theresa (Jessica Link), an actress who came back home from the big city and has a tendency to fall into manipulative relationships with older men. "[11], In an interview in 2011, she explained that, "like many of her works, Circle Mirror grew out of research, contemplation and 'fragments of ideas.' Under the plays artificial skin of this is just another acting exercise, Link and James are furiously acting. New York-based director Kip Fagan directs this "absorbing, unblinking and sharply funny" (The New . The productions run has been extended to November 21. Lauren: Hey. The students swap stories of meeting strangers on subways and teach each other to hula hoop. Placeholders.enable(); Circle Mirror Transformation is centered around a handful of Vermont residents as they gather to work through buried trauma while taking a drama class at their local community center. The shared secretsmeant to open the students emotionally and bind them psychologicallyalso reveal (if the characters are telling the truth) that Schultz has a secret addiction to internet porn; that James is in love with Theresa; and that Marty thinks she was molested by her father. Circle Mirror Transformation runs through Nov. 5; tickets are $12-30. Media. 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