Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Wabash Cannonball His next single "Lost John" reached #2 in the UK Singles Chart. Dear Wikiwand AI, let's keep it short by simply answering these key questions. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. Additionally, Donegan was extremely charismatic as a performer, and not just within the context of his time -- he would have found some kind of audience at almost any point in the 1950s in England. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. - November 2, 2002 (his death, (his third marriage); 3 children), Peterborough, Cambridgeshire, England, UK. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. Discography. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. He turned to a music hall style with "My Old Man's a Dustman" which was not well received by skiffle fans, or in an attempted but ultimately unsuccessful American release by Atlantic in 1960, but it reached number one in the UK Singles Chart. Donegan passed away November 3, 2002, following heart problems. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. In 1952, he formed his first own group, the Tony Donegan Jazzband, which found some work around London. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. WebLonnie Donegan was born on 29 April 1931 in Glasgow, Scotland, UK. Donegan was suddenly a star, with a public that wanted more music from him. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Singles. The record was a hit, racking up sales in the hundreds of thousands. Mickey Ashman - Bass 1956 Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. Dead or Alive, SESSION: August 22/23, 1956 (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. Carter's "Wabash Cannonball." Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. He formed his own group, the Tony Donegan Jazz Band, in 1952. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. AllMusic relies heavily on JavaScript. Walton-on-Thames Film Studios, Surrey (J.Currie, gtr), August 28, 1957 British Legion Hall, Plymouth, Devon. The popular skiffle style encouraged amateurs to get started, and one of the many skiffle groups that followed was The Quarrymen formed in March 1957 by John Lennon. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. WebInformation on Lonnie Donegan. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising to prominence with a hit recording of the American folk song "Rock Island Line" which helped spur the broader UK skiffle movement. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Bob Watson - Vocals 1955, Lonnie Donegan - Guitars, Vocals, Banjo Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. Anthony James Donegan [birth name], Tony Donegan, The King of Skiffle, Peterborough, Cambridgeshire, United Kingdom, Live 1957 The Complete Conway Hall Concert, I Wanna Go Home (with Van Morrison) [USA], Bring a Little Water, Sylvie / Dead or Alive, Don't You Rock Me Daddy-O / I'm Alabammy Bound, My Dixie Darling / I'm Just a Rolling Stone, The Grand Coolie Dam / Nobody Loves Like an Irishman, Sally Don't You Grieve / Betty Betty Betty, Lonesome Traveller / Times Are Getting Hard Boys, Lonnie's Skiffle Party (Part 1) / Lonnie's Skiffle Party (Part 2), Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?) Nobody Loves Like An Irishman N 15129 CD2, March 10, 1958 Pye Studios, London ("Lonnie"), Ain't You Glad You Got Religion NPT 19027 CD3, I've Got Rocks In My Bed (alt) unissued CD3, poss. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Does Your Chewing Gum Loose It's Flavour 10. Note: The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. / Aunt Rhody, I Wanna Go Home (Wreck of the John B.) On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. www.hillmanweb.com The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. Lost John His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. Flavour (On The Bedpost Overnight)? He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. WebMore Than "Pye in the Sky" Review. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Frankie and Johnny, Lonnie Donegan Hit Parade -- Vol. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Don't You Rock Me Daddy-O His taste in jazz went toward Louis Armstrong and Gene Krupa. Aunt Rhody, My Old Man's A Dustman b/w The Golden Vanity, I Wanna Go Home (Wreck Of The John B.) With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. The next month he was at Abbey Road Studios in London cutting a song for EMI's Columbia label. Bring A Little Water Sylvie The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. The first 13 tracks on this 26-song CD are from various EPs and singles cut by Donegan in late 1955 and early 1956, doing a wide range of country blues and folk material, with repertory by Leroy Carr, Leadbelly, and Woody Guthrie interspersed among country and cowboy numbers, work songs, and field hollers that go back too far for authorship to be identified. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. The LP was a hit, securing sales in the hundreds of thousands. Subscription from $10.83/month You can search for tracks and LP's by title. Summarize this article for a 10 years old. WebLonnie Donegan Showcase More images Tracklist Wabash Cannonball How Long, How Long Blues Nobody's Child I Shall Not Be Moved I'm Alabammy Bound I'm A Ramblin' Man 3 Tops With Lonnie. Donegan's group had a flexible line-up, but was generally formed by Denny Wright or Les Bennetts (of Les Hobeaux and Chas McDevitt's skiffle groups) playing lead guitar and singing harmony vocals, Micky Ashman or Pete Huggett - later Steve Jones - on upright bass, Nick Nichols - later Pete Appleby and Mark Goodwin - on drums or percussion and Donegan playing acoustic guitar or banjo and singing the lead. Subscription from 12,50/month 2, Does Your Chewing Gum Lose It's Flavour (On The Bedpost Overnight) b/w By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. His stint in this group was interrupted, however, when he was called up for National Service in 1949. More concert tours followed, along with a move from Florida to Spain. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. It was exceptionally popular among England's teenagers, who accounted for most of its sales. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. With three Number 1s (Cumberland Colyer quit the group early in 1954, and Barber took over the leadership. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. He returned to the chart 38 years after his last appearance, guesting with Van Morrison on his I Wanna Go Home single in 2000. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. Putting On The Style. Betty, Betty, Betty (Apr - 1958), Battle Of New Orleans (2) And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. Frankie and Johnny 5. Lonnie Donegan Meets Leinemann - Country Roads (LP, Album) Monty Sunshine's Jazzband* Feat. Lonnie Donegan Monty Sunshine's Jazzband* Feat. Lonnie Donegan - Mama Don't Allow (LP) Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. WebLONNIE DONEGAN DISCOGRAPHY compiled by Dave Moore c.1951 Tony Donegan Jazz Band. New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. I Want To Go Home (1) (Feb 1960) By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. They were successful enough that the National Jazz Federation asked the band to play a show at Festival Hall with American ragtime pianist Ralph Sutton and blues/jazz legend Lonnie Johnson. The name stuck. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. For LP, just put in Title. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. 2020, Pop - Released by Weishaupt Music & Entertainment on 3 mei 2017, Country - Released by Master Tape Records on 10 okt. He began playing guitar around London, and going to the small jazz clubs springing up around the city. by Bruce Eder. Artist descriptions on Last.fm are editable by everyone. Chances are that UA in America was lured into distributing this album by Showcase . 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