Performers: Ornette Coleman, as; Don Cherry, c; Scott Lafaro, b; Ed Blackwell, d. New York City, 31 Jan 1961. One may even ask the question whether it is possible to love jazz and not love Sunday at the Village Vanguard and Waltz for Debby, and I dont think youre being a curmudgeon if you stamp a foot and issue an emphatic No, by Jove!. Yes, the Evans dynamic provided him with a perfect setting. Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. Composer: Porter I adored him, and I was thrilled to be able to work with him. Dad (Joe LaFaro) never forced us to play music. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. LaFaro-Fernandez: After Scotty played at the Newport Jazz Festival with Stan Getz (July 1961), he went to Geneva to try to convince the people who had been renting our house to buy it. There is a grave mistake a prospective listener can make with LaFaro, and when I say what that is, I may come off as somewhat risible, but one must do what is right: loving the Village Vanguard recordings so much that you sleep on the rest of what he achieved as a certain kind of jazz genius. Genres. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. As was, really, LaFaro. Its the top of the sheet, instead of the coarseness of the winter blanket. Bill Evans. Paul Motian was on drums, Nobby Totah on bass. July 6, 1961 in Seneca, NY. He was a musician from age 4. Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. Little, another ill-fated star of the period who died at 23 in October 1961, described LaFaro in the liner notes as distant, but closea paradox that resolves only for those who were simpatico. He also recognized Scottys distinctiveness as an innovator who was much more of a conversationalist behind you than any other bassist I know[Hes] technicallyabout the greatest bassist we have. Remarking on the solo LaFaro plays on Bee Tees Minor Plea, the trumpeter said, The bass is a crude and rude instrument, but Scott makes it into something else. Helene says Scotty would have loved being described as something else, since I could remember how excited [he] was when he brought around to play for me the first record of Ornettes he owned,Something Else.. That is what so many families Sunday ritual were like. This year The Smith is excited to have National Endowment of the Arts Jazz Masters Kenny Barron (piano) and Dave Holland (bass) together on stage on Saturday, April 6. Q: What happened to your brother after Ithaca College? Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? Tom holds a BA from the University of Massachusetts, Amherst, where he majored in English and African American Studies. In May 1960, the Bill Evans Trio joined in a program at Circle in the Square that was devoted to Gunther Schullers jazz compositions. Those years of self-discovery can be challenging at times and those moments found their perfect expression in the Village Vanguard SessionsI listened to that music for so many hours that it became my constant silent companion and a beacon of hope.. Evans and Dolphy dont feature on a couple tunes, while LaFaro is the constant. The rest is told in his gripping visuals, The Exhibit: Finding the Next Great Artist. Born 1936 in Newark, N.J., La Faro studied clarinet and tenor sax as a boy, but in college switched to bass. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. He remembered that Scotty was dressed up for the Newport appearance. Already a member? The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. Everyone heard him. This Third Stream affair has jazz as a major tributary vein, and it has LaFaro to thank for it. Scott was already playing like that with Bill., Recorded on November 29, 1960, the four-song session wasnt officially released until 2005. You can email the site owner to let them know you were blocked. Scotty sort of led the way on the bass becoming a solo instrument in its own right. LaFaro-Fernandez: After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. He got his first professional experience playing bass at Belhurst (with my fathers group). You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? Mom needed the money. Pictures of people only please! Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. [My] early years at the university were thoroughly engaging intellectually but were also a time of deep introspection. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. Youre freeboomto lock in on LaFaro, and I do that quite a bit. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz . It was written with so much love and insight. In sum, LaFaro visited Geneva, his home town, spent some time with some local friends, drove one of them to visit a mutual friend, left to return to Geneva, fell asleep at the wheel, hit a tree near Flint, NY, seven miles east of Geneva, and burned to death. Bassist Marc Johnson, who was with Evans between 1978 and his death in 1980, wrote in the liner notes forPieces of Jadethat the Vanguard performance was the highest measure of Scotts musical vision. InJade Visions, he says, I must have listened to those recordingsthousands of timesTo this day, I still dont see how Scott articulated his ideas with such startling clarity and velocity., Johnson also speaks for the continuing hold that the recordings have on listeners touched by their emotional richness. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. All that listening to the trio had another effect on me. Following the Vanguard engagement, LaFaro played with Getz, Steve Kuhn, and Roy Haynes at Newport on July 2. He took up bass because he was required to play a stringed instrument at Ithaca College. Born . Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. The 25-year old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. A record like this could easily have become just a mood disc: sound as fuzzy, woolly painting, in which the experiment becomes an end unto itself, the gesture, the gambit, being everything. He became a professional musician in New York City during the Roaring 20s. Composer: Coleman A jazz musicians legacy can be a multifarious slope. He said, Man, youve gotta hear this. LaFaro began by practicing his fingers off. Stan was playing a melody, and Scott began doubling it. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. Composers. He died near Geneva in an auto accident in 1961. Colin Fleming writes fiction and nonfiction on myriad topicsart, film, music, sports, literature, current eventsfor a wide range of publications, and talks regularly on radio and podcasts. He recorded with pianist Don Friedman as well. The CD reissue of the album contains several outtakes. It is still so wild to me that he was so influential. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. My mom was still pregnant with my last sister. Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. Scotty and I were born in New Jersey but we moved back to Geneva in 1942. He was his own thing. I was 19 and working. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. For the 1964 album with Monica Zetterlund, see, The Complete Village Vanguard Recordings, 1961, "Bill Evans Trio: Sunday At The Village Vanguard & Waltz For Debby", Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, On Broadway Vol. So if you were all living in California, how was it that your brother was near Geneva when he died? Composer: Mercer / Kosma / Prevert He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. Tracks such as "Solar" (RealAudio excerpt), from the Village Vanguard sessions, highlight his ability to play high notes with surprising speed. The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. Composer: Hammerstein II / Kern With my mom and Scotty and my two sisters and then our own kids, we eventually had to build onto the house. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. On December 19 and 20, he took part in John Lewis, Gunther Schuller, and Jim Halls Jazz Abstractions sessions, with buddy Bill Evans and Eric Dolphy. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. For when Jazz Abstractions wrapped, December 21 dawned, and that meant LaFaroalong with Dolphywas boomeranging back to A&R Studios for the landmark waxing of the legendary, epoch-rattling Free Jazz, with a lineup of Dolphy on bass clarinet, Freddie Hubbard on trumpet, Charlie Haden on bass, and Ed Blackwell on drums in the right channel, and Coleman on alto, Don Cherry on pocket trumpet, Billy Higgins on drums, and LaFaro in the left. Orrin Keepnews told Helene that when the trio recorded its second session,Explorations,on February 2, 1961, Scott was being very explicit about his problem; he was very reluctant to go back on the road unless it was for a lot more money. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. 1998 Kevin Crosby. While driving home late one nighthis car went off the road and struck a tree. In the mid 1950s, at the Los Angeles music scene, he became known as one of. A copy of the latest annual report may be obtained from the Smith Center or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271. Evans was an articulate interweaver of a pianist, a melodic speaker, a filigree lord rather than a rhythm king. This was Scottys home, and he would practice bass facing the corner in the living room because he could better hear the sound quality. LaFaro continued to play this bass until his death. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. The Complete Village Vanguard Recordings, 1961, "The 100 Greatest Bass Players of All Time - BassPlayer.com", "It was just one afternoon in a jazz club forty years ago", "It's official: April 3 will be Scott LaFaro Day in Geneva", "Innovation and Inspiration: Geneva celebrates the life and legacy of renowned jazz musician Scott LaFaro", "Honoring Scott LaFaro in Geneva, NY: Scott LaFaro Day, street re-naming, and a special Geneva Night Out on April 4th", NAMM Oral History Interview with Helene La Faro, https://en.wikipedia.org/w/index.php?title=Scott_LaFaro&oldid=1141284283, CS1 maint: bot: original URL status unknown, Articles with dead external links from July 2021, Short description is different from Wikidata, Pages using infobox musical artist with associated acts, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. One of the most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. They worked together with vocalist Dick Haymes, whose road show included dancers and a comic. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. ai! There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. His most recent books are an entry in the 33 1/3series on Sam CookesLive at the Harlem Square Club, 1963, a volume about the 1951 film Scrooge as the ultimate work of cinematic terror, and the story collection, If You [ ]: Fabula, Fantasy, F**kery, Hope. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. LaFaro's death took an enormous emotional toll on Bill Evans, who was, according to drummer Paul Motian, "numb with grief," "in a state of shock," and "like a ghost" after LaFaro's death. In addition to hosting Jazz la Mode since 1984, Tom writes the jazz blog and produces the Jazz Beat podcast at NEPM. We all knew something important was going to happen with this guy., https://www.youtube.com/watch?v=lN4CrJ9lyzE, Jade Visionsis suffused with the perspective of an admiring, yet candid sister who overcame the grief of her beloved brothers sudden death and drew inspiration from friends and fans who urged her to write this richly evocative and musically illuminating volume. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. We also spent time at the First Presbyterian Church choir. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. An investigation is underway after two people were killed in a crash involving a big rig along the . The portion of Linden Street that runs from Seneca Street to South Exchange. The great bassist is best known for his work with the Bill Evans Trio between 1959 and 61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trios legendary performance at the Village Vanguard. He felt such a strong passion for the bass that he became obsessed with practicing, spending countless hours in the rehearsal rooms at Ithaca College. Composer: Porter: Scotty sat in. Read More Joe Williams: Beyond the Blues, As a JazzTimes writer, I can talk about the powers of a dynamic drummer until Im blue in the face: the weight of each tom-toms Read More Chops: What Bassists Listen for in Drummers, America's jazz resource, delivered to your inbox. LaFaro completed his first year at Ithaca, but not his second. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. After Scotty played at the Newport Jazz Festival with Stan Getz (July 1961), he went to Geneva to try to convince the people who had been renting our house to buy it. A Dead Musician Directory Celebrity Page. My day consists of such a singular preoccupationthe physicology of music. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. Other birthdays Monday: Jimmy McGriff, 64; Harold Vick, 19361987; and Eric Kloss, 51. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. LaFaro also played opposite bassist Charlie Haden in alto saxophonist Ornette Coleman's experimental double quartet on Free Jazz. Perhaps one thinks of the contrast, as I do: the balmy New England coast, sailboats alongside the bandstand, and then the hard, unforgiving asphalt of the interstate. Cloudflare Ray ID: 7a154b16ff047cd4 [17], When I was in L.A., Scotty LaFaro and I roomed together. In Meet Me at Jim & Andy's: Jazz Musicians and Their World, Gene Lees wrote, "The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about itHe felt that because of his heroin habit he had made insufficient use of [their] time togetherAfter LaFaro's death, Bill was like a mane with a lost love, always looking to find its replacement. Our Dad was from here. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. Q: Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? So even a low speed accident which would be survivable in today's cars, would be a mess in an older car. Q: Your family ended up following Scotty out to California. LaFaro is a potent cup of teaa brilliant future is in store for this youthful bassist from Geneva, N.Y., (Film footage ofLaFarois extremely rare. The last day was recorded for two albums, Sunday at the Village Vanguard and Waltz for Debby.[8]. RE: Person I Knew is a tribute to bass legend Scott LaFaro, who died tragically in a car accident 50 years ago this year at the age of 25.Phil Palombi plays the EXACT bass that made Scotty a legend on the Bill Evans Trio, Live at the Village Vanguard Sessions!. On date night, people would end up at The Smith. It has rolled corners on the bottom and very sloped shoulders on the top, making it easier to get in and out of thumb position. 1950s - 1960s. He waited until we got interested, and then he was totally supportive. She had lost her husband, then four years later lost her son, and she still had young kids to raise. The important thing is his art while he lived. ", https://www.youtube.com/watch?v=IIzbINNrqcQ. He wanted the conversation back and forth between each of the players, and he wanted to play melody. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. Bill Evans came to hear Scotty in New York City, and since he was needing a bass player and Scotty was then playing at a nearby club, he stopped in to listen. After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. Ornette Coleman was another musician who appeared on the Jazz Abstractions datebut as with Dolphy and Evans, on just half the recordand I often imagine the conversations he might have had with LaFaro during breaks and between takes about what Coleman had in mind for the next day. Scotty was on the road at the time, in California. Chuck and Gap Mangione were among the locals hanging out that night, andJade Visionsincludes Gaps recollection of listening to Chet Bakers recording of Grey December with Scotty. Showing all 2 results. LaFaro spent most of his days practicing his instrument. It was then he fell in love with the tenor saxophone. The two albums released by Riverside Records from that fabled performance,Sunday at the Village VanguardandWaltz for Debby, have long stood as his epitaph. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. Jazz. The young bassist was friends to other artists and art during his all-too brief sojourn upon the mortal coil. Sound-carver. LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. Killed in a car accident aged just 25, Scott LaFaro was widely regarded as the most technically gifted bassist of the 20th Century. The group attended the funeral in Geneva, which Kuhn adds was closed casket., LaFaro's death was devastating to Bill Evans. Evans also went on hiatus after LaFaro's death for a period of several months. Does anyone have pictures of this bass, or have you seen it in person? Brother man, I can all but hear Ornette saying, we are going to blow some minds tomorrow.. I get 10 to 12 emails a day asking about Scotty. New England Public Media | The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. Genre. Become a member and get exclusive access to articles, live sessions and more! Also included is "Porgy", originally omitted for lack of space.[]" Oscar Peterson Trio . LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York, [5] on U.S. Route 20 between Geneva and Canandaigua, [9] four days after accompanying Stan Getz at the Newport Jazz Festival. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. Bud Powell. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org Other times, its distilled into a moment that seems to transcend itself, and thus it went for Paul Gonsalves, hero of a Newport afternoon. Jim Hall. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. ~ Charles A. Ralston, A Site About Dead Musicians and how they got that way. DSD 128 fs (2) DSD 64 fs (2) . This article is about the 1961 Village Vanguard recordings. . He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. California had affordable education, and we could all go to college. Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. LaFaro achieved fame in the Bill Evans Trio, which he joined in 1959 and which featured Paul Motian on drums. Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. My dad loved the director, so we had to go and have that experience as well. Q: What were Scotts childhood and teen years like here in Geneva? [9], Writing for AllMusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. He says that word of the accident reached Getz over the wire through his manager Jack Whittemore, and that all were incredulous at the news. Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. Active. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. Your family ended up following Scotty out to California. I would love to see it. Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. And there truly couldn't be a better way to . Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 28 Dec 1958. Scott LaFaro - Death. Search Music. Nov 13, 2008 #2 Mark Carlsen Oct 4, 2004 Q: So if you were all living in California, how was it that your brother was near Geneva when he died? MTV, EMA and all related titles, logos and characters are trademarks of Viacom International Inc. 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